The blues has ____-line stanzas. b&W. In the blank, insert the most appropriate word . They are 3.5 mil truncated eliptical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. 1. Show More plus-circle . Paste a Spotify track URI or URL here below instead. on February 23, 2018. Four stylii were used to transfer these records. Louis Armstrong and the Blues Singers: 1924-1930. led the Red Hot Peppers. 12-bar blues. FV>2 u/_$\BCv< 5]s.,4&yUx~xw-bEDCHGKwFGEGME{EEKX,YFZ ={$vrK Qve]SC4`\:H 3&KU%.X~?8>~=2[[Fqa-Mwqy ccQF And I've got what it . MLA Style. They are 3.5 mil truncated eliptical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. My mama says I'm reckless, my daddy says I'm wild. Terms of Service (last updated 12/31/2014). Columbia matrix 140242. How does Sogolon Djata "wipe out" the "insult" his mother received and enable her to triumph over Sassouma? Jazz was transformed by the following technological advancements, new in the 1920s: radio, electrical recording, and movies with synchronized sound, a piece like "black and tan fantasy" was written to be performed at, the piano style in "you've got to be modernistic" is defined by, the left hand alternating bass notes and chords, the trumpet player in "black and tan fantasy" achieves unusual sounds by, manipulating a plunger mute over his pixie mute and growling into his horn only, each section in "you've got to be modernistic" is called, who is the pianist in this recording of "you've got to be modernistic", this excerpt of "you've got to be modernistic" presents an excellent example of, the jazz band on this recording of "black and tan fantasy" was led by, who plays the piano solo in this recording of "black and tan fantasy", the trumpet player in this recording of "black and tan fantasy" is, ____ has been considered the most important individual in the history of jazz, when the swing era began in 1935, Louis armstrong. Now I'm growin' old. 2 0 obj The player piano was especially useful for disseminating the _______jazz style. Single 1960. The name of the group playing "Snake Rag" is. African American music is characterized by, polyrhythm, call and response, blues notes, a standard character in the minstrel show and the legal system of post-Reconstruction segregation only, made nearly two hundred recordings and starred in the short film St. Louis Blues, expressed the loneliness and hardship of African Americans and contributed to the music that became known as the blues, Scott Joplin's most famous composition is, By 1900, the syncopations of ragtime music had shifted from the banjo to the following, Vaudeville blues-also known as classic or urban blues-songs were, Country blues musicians changed the timbre and pitch of their guitars by using, "American's classical music", a folk music, a popular music, the minstrel show's characteristics, including blackface, lingered in American show business until the early 1950s. A. Retrieved May 1, 2023, from https://adp.library.ucsb.edu/index.php/matrix/detail/2000030008/140242-Reckless_blues. Jelly Roll Morton and His Red Hot Peppers. [ /ICCBased 10 0 R ] Do Your Duty: The Essential Recordings of Bessie Smith. Size 10.0 Source 78 User_cleaned David Skovron User_metadataentered Perry Longo User_transferred Perry Longo. secondhandsongs.com. who is the best-known composed of ragtime music? form: 12-bar blues, James P. Johnson "you've got to be modernistic", performer: James p johnson- piano Performer: Bessie Smith; Louis Armstrong; Fred LongshawWriter: Longshaw; Gee. written by Fred Longshaw, Jack Gee endobj Search the history of over 806 billion Matched on Catalog number, Publisher, and first word of creator. Support your answer. Home | Contact Us | Terms of Use | Accessibility, Female vocal solo ("blues singer"), with cornet and organ, https://adp.library.ucsb.edu/index.php/matrix/detail/2000030008/140242-Reckless_blues. 3:21. Indigo. The form of "Dead Man Blues" is. 1995. Reckless Heart is propulsive. Because Milligan had only a(n) _____ claim on the land, the courtappointed _____ decided the case against him. 15 seconds in . 3:07. Four stylii were used to transfer this record. %PDF-1.3 Jazz 1 Test Listening 1 Examples Listening 2 examples 1) " Reckless Blues " 2) Bessie Smith, Louis Armstrong, Fred longshaw 3) (Vaudeville) Classic Blues 4) South, TOBA 5) 1925 6) Classic Blues, 12 bar form, 1-4 5 chords, Call and response from trumpet. When I wasn't nothin' but a child. Matched on Catalog number, Publisher, and first word of titles. In David Crittendon's "Reckless Blues / A Story About Bessie Smith," Crittendon's use of music reveals the pressure associated with being a music star because of the stress related to the . endobj [Bb Gm F Ab Eb] Chords for Reckless Blues (Bessie Smith) [with english subtitles] with Key, BPM, and easy-to-follow letter notes in sheet. jakej jakej [A F#m E D Am] Chords for Bessie Smith - Reckless Blues (Audio) with Key, BPM, and easy-to-follow letter notes in sheet. side 1: Reckless Blues; side 2: Sobbin' Hearted Blues (Columbia 14056-D).<br>78 rpm. endobj 4.0,` 3p H.Hi@A> endobj played piano. 78rpm Records Digitized by George Blood, L.P. Reckless blues / Bessie Smith." These were recorded flat and then also equalized with Turnover: 500.0. Media Motion Limited / Masters of Jazz. endstream 10 0 obj 2008-2023 Regents of the University of California, All Rights Reserved. 3. For the intro however it had the form of a 4 - bar , which ended at . web pages .3\r_Yq*L_w+]eD]cIIIOAu_)3iB%a+]3='/40CiU@L(sYfLH$%YjgGeQn~5f5wugv5k\Nw]m mHFenQQ`hBBQ-[lllfj"^bO%Y}WwvwXbY^]WVa[q`id2JjG{m>PkAmag_DHGGu;776qoC{P38!9-?|gK9w~B:Wt>^rUg9];}}_~imp}]/}.{^=}^?z8hc' ; Piano; Trumpet; Tuba; at the Piano. Now I'm growin' old. K0iABZyCAP8C@&*CP=#t] 4}a ;GDxJ> ,_@FXDBX$!k"EHqaYbVabJ0cVL6f3bX'?v 6-V``[a;p~\2n5 &x*sb|! which of the following contributed to new Orleans being the ideal place for jazz to be cultivated? 1-5. Search the history of over 806 billion These were recorded flat and then also equalized with Turnover: 500.0. jM{-4%TtYR6#v\x:'HO3^&0::m,L%3:qVE Terms of Service (last updated 12/31/2014). Bessie Smith. 15 0 obj APA Style xwTS7" %z ;HQIP&vDF)VdTG"cEb PQDEk 5Yg} PtX4X\XffGD=H.d,P&s"7C$ endobj Capture a web page as it appears now for use as a trusted citation in the future. Matrix number: 21821; 21838; 21822; 21837; 21840; 21841; 21843; 21871; 21839; 21844; 21842; 21870Catalog number: Other IDs from the record include: (21870); (21821); (21837); (21871); (21839); (21841); (21844); (21838); (21840); (21842); (21822); (21843); 1-1, Uploaded by It was also covered by Sheila Collier, Madeleine Peyroux, Ytre Sulens Jass-Ensemble, Carol Leigh & The Dumoustier Stompers and other artists. RECKLESS BLUES. Play with guitar, piano, ukulele, or any instrument you choose. endobj A. tenuous, arbiter form: march/ ragtime, performer: jelly roll Morton (piano) lots of others My mama says I'm reckless, my daddy says I'm wild. hs2z\nLA"Sdr%,lt 1047 Most choices will fit What year was the buzzard lope recorded? the minstrel show's characteristics, including blackface, lingered in American show business until the early 1950s. Terms in this set (40) Who is the performer of the buzzard lope? Uploaded by Bessie Jones and the Georgia Sea Island Singers. << /Length 13 0 R /N 3 /Alternate /DeviceRGB /Filter /FlateDecode >> Joanne Shaw Taylor (born 1986, England) is a British blues rock guitarist and singer who was discovered by Dave Stewart of the Eurythmics at the age of 16. The preferred version suggested by an audio engineer at George Blood, L.P. is the equalized version recorded with the 3.5mil truncated eliptical stylus, and has been copied to have the more friendly filename. Her voice is raspy and wornalmost like she's spent a little too much time taming audiences. three. Performer: BESSIE SMITH; Louis Armstrong; Fred LongshawWriter: Longshaw; Gee. Digitized at 78 revolutions per minute. written by Fred Longshaw, Jack Gee 8 0 obj [7A\SwBOK/X/_Q>QG[ `Aaac#*Z;8cq>[&IIMST`kh&45YYF9=X_,,S-,Y)YXmk]c}jc-v};]N"&1=xtv(}'{'IY) -rqr.d._xpUZMvm=+KG^WWbj>:>>>v}/avO8 rm:*}(OuT:NP@}(QK+#O14[ hu7>kk?kktqm6n-mR;`zv x#=\% oYR#&?>n_;j;$}*}+(}'}/LtY"$].9%{_a]hk5'SN{_ t These were recorded flat and then also equalized with Turnover: 500.0. Play with guitar, piano, ukulele, or any instrument you choose. which musician, whose career ended with his nervous breakdown in 1906, is generally acknowledged as the first important musician in jazz? Terms of Service (last updated 12/31/2014). 11 0 obj on the Internet. xR@zNbV-9B-C %Rh-S)z&F=3|8*`!a?!c 78rpm Records Digitized by George Blood, L.P. Song. Based on the mix of tones in each piece, describe the voice, or "personality on the page," of each writer. Louis Armstrong. 78rpm Records Digitized by George Blood, L.P. Country blues musicians changed the timbre and pitch of their guitars by using. We will keep fighting for all libraries - stand with us! style: New Orleans jazz State some advantages of using a multimedia presentation. "Columbia matrix 140242. 2. ( I found your video to be very helpful on blackboard , thank you ) 2) Each section can be referred to as the "chorus". kK&H+Lb2\5`}$Zm|pQK=h ](DEJ|wnMi)[3n^>c"S*uW2c Vocal Blues; (Cornet); (Organ); Cornet; Organ; Piano, Clarinet & Trombone Accompaniment; with Instrumental Trio; Piano; Cornet; ; (Piano); (Cornet); (Trombone, Piano, Cornet). xUQAj0sL PREVIEW. Bessie Smith originally recorded Reckless Blues written by Fred Longshaw and Jack Gee and Bessie Smith released it on the single Reckless Blues in 1925. Too long. We will keep fighting for all libraries - stand with us! Matrix number: 21838Catalog number: 3171-D, Other IDs from the record include: (21838). Terms of Service (last updated 12/31/2014). on the Internet. jazz is. Matrix number: 140242Catalog number: 14056-D, Other IDs from the record include: (140242), Versions - Different performances of the song by the same artist, Compilations - Other albums which feature this performance of the song, Covers - Performances of a song with the same name by different artists. the following soloist, whose unusual timbres arose form his mastery of mutes, enriched duke Ellington's early recordings. ' Zk! $l$T4QOt"y\b)AI&NI$R$)TIj"]&=&!:dGrY@^O$ _%?P(&OJEBN9J@y@yCR nXZOD}J}/G3k{%Ow_.'_!JQ@SVF=IEbbbb5Q%O@%!ByM:e0G7 e%e[(R0`3R46i^)*n*|"fLUomO0j&jajj.w_4zj=U45n4hZZZ^0Tf%9->=cXgN]. Daddy, mama wants some lovin'. Here Comes the Flood. form: 32-bar popular song (ABAC), Byron Almen, Dorothy Payne, Stefan Kostka. 3:41. 2:57. stream Time. grammatically and will even make sense logically, but you must choose the pair that SecondHandSongs is building the most comprehensive source of cover song information. web pages By Mike O'Cull. Bessie Smith; Longshaw; Gee; Louis Armstrong; Fred Longshaw. A1vjp zN6p\W pG@ UC Santa Barbara Library, 2023. 2:59. endstream << /Length 11 0 R /N 3 /Alternate /DeviceRGB /Filter /FlateDecode >> trumpet (or cornet), trombone, and clarinet. t]~Iv6W) |2]G4(6w$"AEvm[D;Vh[}N|3HS:KtxU'D;77;_"e?Y qx Cyclic. bottlenecks. Taylor sucks you in from the album's first note and doesn't let go. Reckless blues / Bessie Smith," accessed May 1, 2023, https://adp.library.ucsb.edu/index.php/matrix/detail/2000030008/140242-Reckless_blues. 78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a, Advanced embedding details, examples, and help, http://www.45worlds.com/78rpm/record/14056d, http://adp.library.ucsb.edu/index.php/objects/detail/193259/Columbia_14056-D, http://www.78discography.com/COL14000D.htm, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_01_3.8_CT_EQ.flac, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_02_2.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_03_2.8_CT_EQ.flac, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_04_3.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_01_3.8_CT_EQ.mp3, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_02_2.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_03_2.8_CT_EQ.mp3, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_04_3.3_CT_EQ.mp3. E. secular, liege. a left-hand technique, alternating bass notes and chords, among the musicians hired by Fletcher Henderson in the 1920s was, duke Ellington's career had a big break when he got a recurring headlining gig at, among the great stride viruses of the 1920s was the following pianist, whose composition "Carolina Shout" became a test-piece for elite New York pianists, attempts to describe specific people, places, or evnets. style: ragtime/ early jazz English, Reckless Blues British blues/rock phenomenon Joanne Shaw Taylor aims her considerable vocal and guitar talents at a wonderful set of covers on her new release The Blues Album. 12-bar A - A - B blues form begins after the 4 bar introduction by cornet and organ ! 2020 Preview. It was covered by Sheila Collier, Madeleine Peyroux, Ytre Sulens Jass-Ensemble, Carol Leigh & The Dumoustier Stompers and other artists. What is the predominant texture of buzzard lope? The pianist on this recording of "Snake Rag" is the only musician in this band not from New Orleans: Lil Hardin. called Taylor "the new face of the blues". instrumental. form: march/ragtime (ABAC), performer: armstrong (trumpet, vocal), robinson (trumpet). Not on the list? stream written by Fred Longshaw, Jack Gee Reckless blues / Bessie Smith. Now I'm growin' old. Big mama changed, Women sex objects 8) Love, Blue love emotional . 2 CDs and the strip cartoon to live an amazing story with all the best musicians of the history.Subscribe to our channel and never miss a video: http://bit.ly/BDMusicSubsFollow us on Facebook: http://on.fb.me/1EzPK8ZDiscover the CD version (2CD+Cartoon): http://bit.ly/CDversion-BessieSmithLa collection BDMUSIC prsente tous les musiciens et compositeurs de l'Histoire de la Musique travers la vision de dessinateurs, peintres ou illustrateurs d'aujourd'hui. The song Reckless Blues was written by Jack Gee and Fred Longshaw and was first recorded and released by Bessie Smith in 1925. C. The King was the brother of Leopold. Media 7 (defunct - now Musisoft) / Masters of Jazz. Human. The Bessie Smith story drawn by Aude SamamaThe Full Bessie Smith playlist here: http://bit.ly/BessieSmith-FullPlaylistGet the Digital version on iTunes: http. Discography of American Historical Recordings. Reckless Blues on the Internet. (2023). Vocal; Original issue: Columbia 14056-D; Recorded Jan. 14, 1925. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. >> The energy is infectious. web pages 78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a Location USA Run time 00:03:08 Scanner Internet Archive Python library 1.7.7.dev1 Scanningcenter George Blood, L.P. Audio of this recording from the Internet Archive, Chicago Style 13 0 obj Performer: BESSIE SMITH; Louis Armstrong; Fred Longshaw; Fletcher Henderson; Joe Smith; BESSIE SMITH & HER BLUE BOYS; Buster Bailey; Charlie Green; Kaiser Marshall; Charlie Dixon; Fletcher Henderson & Joe Smith; Coleman Hawkins; Clarence Williams; Ed Allen; Cyrus St. Clair; Bessie Smith; James P. JohnsonWriter: W. C. Handy; Longshaw; Gee; Paul Carter; Metz; Berlin; De Rose; Richman; Trent; Kapp; Coleman; Eller; Brooks; Cox; Smith. Ottilie Patterson with Chris Barber's Jazz Band, 2003-2023 style: harlem stride *Un"far/q1.u]Xc+T?K_Ia|xQ}tG__{pMju1{%#8ugVcSiaJ}_qVZ#d?:73KWknAYQ2;^)mvJ&fzgty?:/]RbGDD#N-bJ;P2F6ly9-Q;pX?Sb0g7K: 12 0 obj They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. B. invective, raconteur 4 0 obj Four stylii were used to transfer this record. English, Reckless Blues Ottilie Patterson with Chris Barber's Jazz Band, 2003-2023 La collection comprend plus de 160 albums illustrs par 150 dessinateurs ou peintres et lensemble reprsente 4.000 planches dillustrations autour de la musique. The Ghost and the King are enemies. Affinity. Joanne Shaw Taylor. 1923-1925, Vols. Capture a web page as it appears now for use as a trusted citation in the future. Bessie Smith, in full Elizabeth Smith, (born April 15, 1894?, Chattanooga, Tennessee, U.S.died September 26, 1937, Clarksdale, Mississippi), American singer, one of the greatest blues vocalists. Polyphony. by Bessie Smith (January 14, 1925 / February 10, 1925), Reckless Blues the two cultures of "creole of color" and "uptown negroes" led to a blending of musical style that influenced jazz, it was a port town, so many different kinds of people form different cultures mingles together, africans were allowed to retain more of their own languages, beliefs, and customs than elsewhere in the south, emphasizing their African musical heritage, during collective improvisation, the instruments are arranged in the following order, when several instruments improvise their parts simultaneously and a defining characteristic New Orleans jazz only, the great migraine was a response to the manpower shortage created by, when Louisiana and other southern states adopted the so-called Jim Crow laws, the special privileges of the creoles ended in the year, the original dixieland jazz band was a _____ band, during the first chorus of "dead man blues," the band uses, collective improvisation and polyphonic texture only, as the excerpt of "dead man blues" ends, the solo instrument makes prominent use of, the three wind/brass instruments improvising on this recording of "dead man blues" are, the leader of the band on this recording of "dead man blues" is, led the best jazz band around in the second half of the 1920s and used a big band that closely resembles the big band of today, including reeds, trumpets, trombones, and rhythm section, the Harlem renaissance celebrated jazz musicians and bandleaders alongside its poets, painters, and playwrights, the center of the songwriting industry was known colloquially as, the bandleader and composer Duke Ellington was also a, jazz nightlife was affected by the passage of the 18th amendment to the constitution, which, prohibited the sale and manufacture of alcohol, duke Ellington's career lasted from his New York debut in 1923 until his death in. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. We will keep fighting for all libraries - stand with us! Slow Dancing in a Burning Room. 7 0 obj Digitized at 78 revolutions per minute. Digitized at 78 revolutions per minute. Chords: E, A, D, B. Chords for Bessie Smith - Reckless Blues. About 1913 she toured in a show with Ma Rainey . Capture a web page as it appears now for use as a trusted citation in the future. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. Vocal Blues; Cornet; Organ. Send the Editors a message about this record. D. insouciant, autodidact 262 Human. on the Internet. written by Fred Longshaw, Jack Gee About Reckless Blues. Reckless blues (Primary title) Disc label: Authors and Composers Notes; Fred Longshaw : Jack Gee : Composer information source: Disc label. stream Chordify is your #1 platform for chords. Performer: Bessie SmithWriter: Longshaw and Gee. /TT1.0 9 0 R >> >> XGUS[IJ*$:7O{7@Hb{IS*IH{!&Uvb'S\99;^D=_iU$MKN-.N#z"On}QkKi6}x'=N!? 5 0 obj at the time jazz started to be recorded in 1917, New Orleans style already featured, collective improvisation and glissandos, stop-time, and breaks, ______ occurs when all the musicians in the band suddenly stop to let a single musician take a brief two-bar solo, which jazz band was the first to be recorded in 1917. was a Creole musician. Vocal; Original issue: Columbia 14056-D; Recorded Jan. 14, 1925. and I've got what it takes to get all of you men told. endobj "Reckless Blues" by Bessie SmithPre-Order Bessie (Music from the HBO Film): iTunes - http://smarturl.it/Bessie_iTunes?IQid=ytd.bs.rbAmazon - http://smarturl.. Bessie Smith & Louis Armstrong (trumpet), Fred Longshaw (organ) - Reckless Blues (Longshaw/Gee), Odeon c.1945 (pressed in Germany after 1945, originally reco. The recording on the other side of this disc: Not completed due to physical condition of disc. Joanne Shaw Taylor's Reckless Heart is something special, rocking in a way I haven't heard in a long time. SecondHandSongs is building the most comprehensive source of cover song information. Digitized at 78 revolutions per minute. Verified answer. Reckless Blues. xUoT>oR? (a) What is "the system" to which Robbins refers? Here Comes the Flood. PREVIEW. B. When I wasn't nothin' but a child. "Columbia matrix 140242. the hot five and hot seven recordings are influencial because, they feature soloists and highlight individual expression, a cornet player, a jazz singer, a bandleader, what did Louis Armstrong learn through his gig on the Mississippi riverboats, he improved his ability to read music, he learned to adapt New Orleans style improvisation to written arrangements, he learned songs outside the New Orleans repertory, Louis Armstrong landed his gig with Fletcher Henderson's orchestra in 1924; he lasted, was a New Orleans band that Armstrong played with and led for the las twenty-five years of his life, another impact Armstrong had on jazz came form his, use of nonsense, or "scar" syllables in his singing, Louis Armstrong influences jazz musicians by, performing with a rhythmic energy that was quickly imitated, Louis Armstrong ended his association with Fleeter Henderson because, big Beiderbecke belongs to the first generation to learn jazz from, armstrong formed his hot five and hot seven bands in, the beginning of "singing the blues" features, behind the soloist at the beginning of "singing the blues," you can hear, the solo at the beginning of "singing the blues" features, in the latter part of this excerpt of "wet end blues" the trumpet is joined by the following wind instruments, the trumpet player in this recording of "west end blues" is, the kind of elaborate passage for a solo instrument heart at the beginning of this excerpt of "west end blues" is known as, who is the featured soloist at the beginning of "singing the blues", the texture at the opening of "west end blues" is, the form heard in the section after the opening of "west end blues" is, performer: wilbur sweatman 1 May 2023. D. The Ghost was King Leopold in life. The choruses of Reckless Blues are in the form of a 12 - bar. stream Four stylii were used to transfer this record. PREVIEW. Listen to Reckless Blues online. She may have made a first public appearance at the age of eight or nine at the Ivory Theatre in her hometown. << /Type /Page /Parent 3 0 R /Resources 6 0 R /Contents 4 0 R /MediaBox [0 0 720 450] << /Length 5 0 R /Filter /FlateDecode >> The recording on the other side of this disc: Sobbin' Hearted Blues. form: 12-bar blues, Bix Beiderbecke/ Frank Trumbauer "singing the blues", performer: Bix (cornet), frank (sax c-mel) The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. endstream In Discography of American Historical Recordings. which of the following styles would most likely be heard at a Harlem rent party? Search the history of over 806 billion 5:15. Digitized at 78 revolutions per minute. 1995. Hello,we present you an interesting way to invest small amounts of money and, at the same time, to collect music and art in general.Follow this link to buy t. on July 15, 2020, Columbia (3172-D / 3171-D / 3176-D / 3173-D / 3174-D / 3175-D), ST. LOUIS BLUES; RECKLESS BLUES; CARELESS LOVE BLUES; WEEPING WILLOW BLUES; THERE'LL BE A HOT TIME IN THE OLD TOWN TONIGHT; ALEXANDER'S RAGTIME BAND; MUDDY WATER (A Mississippi Moan); MONEY BLUES; TROMBONE CHOLLY; YELLOW DOG BLUES; NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT; Back-Water Blues, 78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278, Advanced embedding details, examples, and help, THERE'LL BE A HOT TIME IN THE OLD TOWN TONIGHT, NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_flat.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_flat.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_flat.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_flat.mp3.

Lambhill Crematorium Garden Of Remembrance Opening Times, Derivative Classification Quizlet, Articles I